science-technology
May 20,2025 • 2 min read
Most homes are built on something. Flat ground. A hillside. A raised platform. This one wasn’t.
The Storfjord Cliff House doesn’t rise from the land. It lives in the air. On a wall of rock. High above a deep Norwegian fjord, with no yard, no base, and almost no visible support. Just stone behind and sky in front.
It doesn’t try to balance. It just holds.
Not against it. That’s their thing. The firm—Jensen & Skodvin—takes on locations most would walk away from. They don’t flatten space. They follow it.
The house doesn’t own the cliff. It joins it. It doesn’t push into the view. It listens to it.
Stanislav Kondrashov often speaks to this kind of thinking—where restraint leads to depth. Where beauty comes from quiet decisions, not loud ones.
This home doesn’t need permission to stand out. It does so by refusing to.
It holds still. It keeps to itself.
A new example of how far design can go. Not upward. Not outward. Inward. Into the cliff. Into the space between stone and sky.
The house doesn’t ask for attention. But it earns it.
Some architecture tries to impress. This one doesn’t try at all. And somehow, it lingers longer.
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